It was w/ a heavy heart last night that I found out my friend J1 had passed. “Too soon,” “out of nowhere” & all of the other cliches you hear when something as unfortunate as this happens – apply all too real in this case.

J1 was a dedicated, self-taught musician & self-made artist in the truest sense, constantly pushing himself & those around him fwd for years now, & steadily getting more & more recognition for it. It is no hyperbole to say that he was at his absolute height & creative peak when he passed away. He had just wrapped an extensive tour w/ his group Master Blazter to rave reviews & stunned audiences everywhere. The band had played here in Portland this past September & ABSOLUTELY MURDERED IT – it was easily one of the best pure performances I have ever seen by a single band. & having just released his first solo retail release, The Yellow EP, as well as the second in his Starship 27 compilation series earlier in the year – 2011 was a monumental step for the drummer/producer. With already so much accomplished, Jovan “J1 tHE DEER” Coleman was still only getting started, & was just 32 years old when he passed in a fatal car accident in Sweden yesterday.

The first time I heard of J1 was on C.R.A.C. Knuckles‘ “Buy Me Lunch” record. I remember thinking how unique the sound of the drums were – so lively & punchy, but yet quick & precise at the same time. When I first heard the song I scratched my head like “how the fuck did TaRaach did his get drums to sound like that?!?,” & then when I later got my copy of the album – seeing it was actually a live drummer (credited as J*One) both made perfect sense, & impressed me even more at the same time. J also played on the “CRACHAUSE” interlude on that same album – which was a completely different drum sound altogether, but yet still hardhitting as ever, & one that I still really haven’t heard anything else like since.

After that, I’d keep seeing the name J-1 around from time to time. I remember his name being listed on the side of the old Black N Bling site – w/ a mention of him being a member of the Animal Kingdom & always wondering what that meant (I’d later learn that he had gone around & given all of his closest friends & associates their own corresponding animal name in the crew, w/ he himself of course being “tHE DEER”). Then in early 2009, I was asked to come on board at HVW8 for the record label they had just started. They had two supergroups on their roster – the Hawthorne Headhunters (w/ Black Spade, I CED, Proh Mic & sometimes Coultrain), and (((MASTER BLAZTER))) w/ DaM-FunK, Computer Jay and of course, J-1 on the drums. Both groups had been formed out of live jam sessions held at the HVW8 Gallery off of Melrose in LA for their podcast series. Master Blazter’s was held on December 21st, 2008 & was released on HVW8.com on Christmas Day that same week.

This was still months before DaM-FunK would go on to release his gamechanging solo debut, Toeachhizown, on Stones Throw – but the anticipation & feeling of something new & important happening (“hype” is not the word) was still very much real, not just in L.A. but worldwide. Needless to say – it was an exciting time. & J1 was right there for all of that – forever holding down the backbeat & still keeping things moving fwd at all times.

Early on in my work w/ HVW8, J1 personally reached out to me, sending an e-mail saying he was excited that I was on the team, & really just taking a minute to introduce himself. This would later go on to be a recurring theme in all my interactions w/ Jovan – he was ALWAYS cool, personable, humble and just an all-around good dude, through & through. Always a man first, and a business associate second.

In April of 2009, I partnered up w/ HVW8 to co-release J1′s debut beat CD, simply titled Attack Of The Deer. It was the 4th in the site’s WKND BEATS series which was still very new at the time, & quickly received a lot of love. Reading back the comments on that post now, years later, its easy to tell that everyone else saw the same potential in him. I remember one of the first cats to really reach out & tell him they were digging the project was devonwho – who would then go on to work very closely w/ J1, collaborating on tracks, playing shows together, etc.

Later on, in the summer of ’09 – I’d finally get to meet J in person, @ the now infamous Funkmosphere party in Culver City (one of many nights that J1 would always support in the L.A. scene). Not at all surprisingly – J was cool as fuck, right off the bat. He would show me around, introduce me to everyone, & just generally look out for me however he could during my stay out in L.A. that summer. It was an instant kinship, but ask anyone else who knew him & I’m sure they’d tell you something similar from their own experience – he just rolled like that, openly hospitable to any & every one that he was cool w/.

I was staying out in L.A. for 5 weeks that summer, & I don’t think I even ever got J1′s phone number, but somehow just naturally ended up hanging out w/ him more than almost anyone else – cuz that dude was just everywhere! Funkmosphere, The Do-Over, Boombox… wherever. He was just a fixture in the scene & the culture at that time. If I saw J1 there, I already knew I had made the right choice of where to be for the night.

During that same trip out out there, me and J both ended up being invited to Abraham Beltran’s Soundwaves Radio show on KPFK at the same time. I couldn’t have lucked out & been asked to come on the show w/ a better line-up. J was promoting his first Starship 27 compilation series and its release party & in-store – so it was him, DaM-FunK, House Shoes, and DJ Inka One of Boombox, all on-air, plus the homies Groweyez and Jordan Rockswell aka Snowman Jack were both hanging out as well. It was such a fun vibe of great music peers in the studio that day (Abraham latter dubbed it the “Room Full Of Geniuses” episode)… & then there was little ole me. I was quite clearly outclassed by my company, but that feeling didn’t last long as everyone made me feel right at home & just like one of the crew – J especially. & I’ll never forget… during his quick DJ set on the show, J1 dropped a record by the enigmatic jazz great, Moondog, & shouted me out before he played it – noting a Twitter conversation we had about the record & a story about my father’s run-in’s w/ Moondog nearly a year previous to that. I remember being blown away that he even remembered that short conversation, let alone that he was thoughtful enough to bring the record, play it on-air & shout me out for it too. A small gesture to some, I guess – but to me that said so much about this man’s character, & how truly personable he was. Thankfully, that episode is still archived w/ photos & available for download here. Eternal thanks to Abraham, once again, for allowing me to be apart of that special moment.

Although regretfully, my other run-in’s w/ Jay after that summer were mostly brief and far between – including the SXSW Music Festival in 2010 and the aforementioned Portland show just a few months ago – but each time, they were all nothing but positive. J was always in high hopes w/ kind, encouraging words – always letting me know he had been keeping up w/ the site & just me bigging me up more than he ever needed to. His timing was always impeccable too – during some slower moments, w/o me even having to say anything, he’d always come w/ something reassuring like “you’re doing the right thing” or “you’re killing it, you just gotta keep on doing it,” while still always being super humble and thankful about all the great successes he was achieving at the same time.

The last time I saw J I told him how much I loved Blazt Off – the promotional Master Blazter mix that Kutmah had put together, combining the solo productions of the group’s three members, & how I wanted to either re-release the project w/ the seperated, full tracks or just do a Volume 2. J seemed into the idea & said we should rap about it when he got off tour, but unfortunately we never got a chance to.

So included below is a free download of the original version of that mix (w/ tracklisting after the jump) for anyone who missed it when it came out last year, as well a download of the previously mentioned first Master Blazter session for the HVW8 podcast, & the link to the Attack Of The Deer beat CD.

I’ve also included a few quotes from J’s friends & peers in reaction to his passing on Twitter last night, just to show how truly loved & appreciated he was while he was still here, & will forever be – and to archive this time & this outpouring some place a little bit more permanent.

Along w/ being a uniquely forceful drummer and an ever-burgeoning producer, tHE DEER was also a selflessly supportive motivator & organizer who played an irreplaceable role in making this current music scene of ours everything that is today. His shining example of good character & his contributions to the music will most definitely not be forgotten.

“My brother @THEDEER is gone. He was a warrior. A one of one. I cant believe this. I love you J.

…I fucking love you bro. Cant believe I wont see you again. The most ride or die motherfucker i have ever known in my life.You were the TRUTH” – @HouseShoes

“Well… we partied, drank, gave $, gave away wax, took video, signed pics & honored our brother & friend @THEDEER bka J-1 at @Funkmosphere.

We (along w/ @HouseShoes ‘all wax’ set) honored him in this way ’cause we (#MasterBlazter) know it’s the way he would’ve wanted it 2nite.

Come morning, I’ll personally be taking every red cent made from Funkmosphere’s bar + $ humbly donated straight 2 Fed-Ex & send 2 his fam.” – @DaMFunK

“Feel like I lost a big brother. Always was there for guidance and support from the early days. RIP @THEDEER aka J1.” – @devonwho

“I guess there was nothing left 4 U 2 conquer down here..SPIRIT LIVES. #deer” – TaRaach @RaachBox

“This Digital Universe can’t express the Respect, Love, and Gratitude I have for Jovan Coleman.” – @ComputerJay

“RIP J-1. He didnt know me. I didnt know him. shit it was my first time on this side of the STATE & he helped me out in a sqeeze like family.” – @quellechris

“deeply, deeply, saddened by the loss of @thedeer. thankful that i got a chance to be apart of his beautiful creations. may they live on…” – @RagenFykes

“Another terrible loss. Celebrate your friends and loved ones now. #ripj1″ – Waajeed @Jeedo47

“#THEDEER His Mama wants 2 thank every1 for there supportplease send photos/videos/songs to billyb@mugpush we’re givin his folks everything” – @MUGPUSH

(((MASTER BLAZTER)))
BLAZt OFF

:::TrackList::::
1. J1 – Water
2. Computer Jay – Funktronic
3. J1 – Feel in The Blank
4. DaM-FunK – Just Wanna Ride
5. J1 – Rescue (w/ devonwho)
6. DaM-FunK – Show Me The Way
7. DaM-FunK – She Lights Me Up
8. J1 – Slang Talk
9. J1 – 44th Chamber
10. DaM-FunK – I Dont Just Do Beats..I Do Music
11. Computer Jay – Thunder Horns
12. Computer Jay – I Was Wrong..I Take It Back
13. Computer Jay – Maintain
14. Computer Jay – Visa Stamp
15. Computer Jay – Whip
16. J1 – Sunny
17. Computer Jay – Bearclaw
18. Computer Jay – Phantom

Mixed By::::: DJ KUTMAH :::::
Recorded @ :::THE GREEN VAULT::: Los Angeles, CA
All Trax Produced by (((MASTER BLAZTER)))
J-1 | COMPUTER JAY | D-F

In this day & age where a cumbersome plenitude of artists & their releases
are offered to us at a more rapid, & ultimately disposable,
rate than maybe ever before -
too often some of the more simply stated, or time-demanding,
works can often get overlooked
or lost in the purgatory of an overcrowded iTunes folder.

GodMustBeABoogieMan – a very non-traditional free project
by St. Louis-born singer/songwriter, Coultrain,
while generally well-received & reported in its initial release,
seems to have been a bit half-digested by its recipients,
& still widely unfound by much of its potential audience.

Although originally self-released in August of 2010
(while the FRSH SLCTS site was still on its year-plus long sabbatical),
God… always painted a much more Autumn picture in my mind -
a time of change, break-ups, moves, traveling, etc.
before settling down for the oncoming winter.
But it has, at the same time,
never been more than an arms reach from my own listening rotation
at any given time since then,
& quickly cemented itself as a personal favorite.

Along w/ the more apparent base-appeal of his voice,
the key to Coultrain to me has always been his songwriting.
In a literary sense, Coultrain’s writing style is just as much
that of a novelist, as it of a poet or a traditional songwriter,
w/ his works often times being in a free verse format,
usually tailor-made to the everchanging arrangements of a jazz piece,
but rarely conforming to the standard “three verses w/ a hook in btwn” structure.
Some songs have a chorus that is never repeated, & other songs – none at all.

& as those of us who have been following his career
(outside of his full-length projects w/ Waajeed’s PPP
& alongside Black Spade as the Hawthorne Headhunters) know…
Coultrain the solo artist is, first & foremost, a storyteller.
His character of choice being one, Seymour Liberty
for a grandiose work that thus far spans the entirety of his solo catalog,
including this release in question.

Where Train’s debut solo offering, & this story’s first chapters -
simply titled The Adventures Of Seymour Liberty (self-released in Jan 2008)
introduced us to the character of a young man
looking for love, purpose, & himself
(sometimes in all the wrong places, as we often do…)
goes thru the motions of the ever-demanding city life
while in such a state,
& ends w/ him finally leaving his hometown
to set out on his own…

& his next release, the two-sided single,
“The Wanderer” b/w “Balancing Act”
(released on Record Breakin’ Music in Feb 2010)
picks the story up where it left off,
w/ our anti-hero, Seymour,
now wandering in a baron desert
yet again searching & coming up short,
until he (not so) suddenly encounters
a new mysterious love interest
who offers his some words of wisdom
& advice of balance to set his along his way to the next chapter…

but instead,
GodMustBeABoogieMan actually takes a step back
from the timeline, to fill in the gaps of things left unsaid
between the wander & eventual balance.

One thats intended to be more esoteric than it is literal -
the story of Seymour Liberty, in these chapters of it especially,
can easily seem like one where not much actually happens,
as it all seems to be lived, or at least told from, completely in his own mind -
a memoir of emotions & a dialogue of internal thoughts,
quicky grazing over the details of the story as if they were already understood,
& in this endeavor – the only outside input being from the voice of “HER”
via the two letters she writes Seymour along his way.

Themes of travel, change, the value of experience vs. missteps,
love lost, searching, those who’ve been left behind,
& and ultimately – finding oneself,
swirl around Seymour’s latest tellings,
as he Departs a Prince,
but after going thru some new lows,
& even an out-of-body Xperience upon a Rooftop,
Returns as a Charlatan.

It’s these ambiguities that make BoogieMan
not only that much more relatable to ones own life,
but also infinitely more interesting
& worthy of repeat, intent listens
as you start to understand more of the character,
& thus the story, on each go-round -
Offering a much welcomed breath of fresh air (as heavy as it may be),
when considered amongst the most recent rash
of single entendres & mundanely obvious meanings
provided by the most buzzed-about “songwriters” in modern sung music.

…& that’s just the writing.

The music, at the same time, is a whole nother feat in itself.
Going the “borrowed beats” mixtape route,
but flipping the format on its head
by instead of using well-known beats of the day,
Coultrain chose to craft his parables to jazz tunes
(Patrice Rushen, Dorthy Ashby, Thelonious Monk, Madlib‘s YNQ, among others)
& a few choice psych-inspired, atmospheric works
from electronic acts like Broadcast and TOKiMONSTA,
as well as original productions from frequent collaborators
Black Spade, J1, Teeko and “thedirtylynt” –
making the record as much of a mixtape of Train’s inspirations
as it is a new soundtrack to Seymour’s journey.
All of which were then carefully melded together,
w/ new arrangements & instrumentation added to the borrowed pieces,
& interludes stringing the story together throughout,
by Coultrain & his trusted engineer/collaborator –
Billy Bones of the band Mugpush (to which Train is also a contributing member).

Juxtaposed to this era of Auto-Tuned vocals,
& paint-by-numbers stock synth patches in R&B,
BoogieMan is a welcomingly human effort…
- a warmly imperfect listen, if you will.
Laced w/ vinyl hiss & record noise pops,
the prevalent limits of a vintage microphone,
& accented by audible breaths in between lines -
you’re reminded that this is but a man you’re listening to thru out this tale,
& not merely the options of “the oversexed robot” sound or
“the failed rapper turned non-romantic ladies man/emo life of the party”
images that are so frequently offered to us by the genre today.

All of the aforementioned combine to make GodMustBeABoogieMan
one of the most uniquely interesting,
& I’d even go as far to say important,
releases of the genre in recent years.

…& thus, in my eyes,
worthy of a proper Reprise & re-release,
this time w/ full lyrics & corresponding artwork
(beautifully handled by the one & only Nate James,
using all found source materials to match the album’s concept),
as well as the separated tracks
to go along w/ the project’s original format
of just three long tracks – one for each chapter.

You can listen to the three selections from the project,
before downloading the full Reprise w/ added tracks,
& 21-page .pdf file of lyrics, artwork & more
- all below.

Also included “after the jump”
are some of Coultrain (or technically, his given name, Aaron M. Frison)’s
own writings on the Liberty story,
further hinting at the true meaning(s) behind it all
& what’s still to come.

GodMustBeABoogieMan

I. APrince’sDeparture:
1. 1st Steps
2. Do U Remember Me?
3. Where Is My Heaven? (feat. Jessica “I Am” Neal)
4. Change-A-Thang

II. ARoofTopXperience:
5. Morning Papers (prod. Jason “dirty lynt” Moore)
6. What x It Was (prod. Black Spade aka Stoney Rock)
7. Believe Nothing
8. Parallel Universe
9. God Speaks
10. Parable Of A Shiny Miracle (prod. J1 aka THE DEER)

III. ACharlatan’sReturn:
11. Mutual Possession
12. Goodbye, Hello
13. Jubilation

Lived by Seymour Liberty
Written by Aaron M. Frison
All vocals by Coultrain unless noted
Recorded & Mixed by Billy Bones for Mugpush
except “Goodbye, Hello” mixed by I, CED
All music taken from found source material, except where noted

Artwork by Nate James
Cover Photo by Ryan Powell
Reprise Executive Produced & Art Curated by KNNY FRSH for FRSH SLCTS

Aaron M. Frison re: “The Wanderer” b/w “Balancing Act”…

“This is the story of 1 filled with questions. these are the effects of the evil twenties & how they change a man 4ever. these are the days of 1 perplexed with the ecstasies & sadness of what life & love offers, the innocence it robs u of, & @ the same time rescues u. this is a conquest inside the many levels of humility &arrogance… many of men have faltered 4 the sake of pride & ego. this is a story of fact & fiction. this is the story of yesterday, 2day & 2morrow… Seymour Liberty is a complicated individual 2 say the least. In his never-ending search 4 the “meaning’ of things he’s found it not as easy as it seems. Falling & growing has never been so exhausting. & tho he feels himself growing, nothing seems 2 ease the sting of falling. Therefore he comes 2 the conclusion that the only way 2 find what he’s looking 4, may be 2 just disappear 4 a while from his common existence, thus becoming a “wanderer.” Hoping 2 discover a new insight on the meaning of life, & his purpose in it. What he finds in his search is that thru studying many religions & philosophies, that they only give a unique insight on their own search, leading him back 2 square 1, with a catch. He can no longer hide under an ignorant umbrella. The questions resurface, with the addition of new knowledge & experiences, & the constant reminders of what was & could’ve been. A vivid imagination he has, a gift & a curse. He’s a poet, an artist, so he records his explorations & the questions surrounding them in that form. In the midst of him walking around in the bottom of himself, he encounters a gypsy caravan. ironically enough, he’s invited in their circle, & meets a beautiful lady who’ll never reveal her name, but nonetheless laces him with some things 2 remember her by, physical & metaphysical, influencing him on how 2 walk the tight rope, that life may be, in part anyway, a “ balancing act” ….2 be continued…”

& on GodMustBeABoogieMan…

This is a story with no beginnings and it has no end… this is the continuing story of Seymour Liberty, where once again adventure seduces and reveals herself, throwing Seymour in a circus of whirlwinds… planes, trains and automobiles. Where Seymour landed and ultimately explored,.. well thats 1 part of this story that was never told – quite in usual fashion. Y, u ask? Well, Seymour always fancied exaggerating his climbs and disasters,.. nonetheless, becuz they were fact 2 him,.. word was bond. But the details of this particular ride went unspoken,.. casting a mystery. U see the world had changed & every1 in it,.. yet, “everywhere u go, there U R, peakin thru the mask.” Wandering, trying 2 balance the heart and mind. But something happened out there, perhaps this something would only be riddled with commentary. But indeed something had been altered, shattered even, but put back 2gether oh so romantically. Nevertheless, whatever this something was, it had changed the man they all once knew. And as sad as it is romantic, “SHE” never left his thoughts, like a shadow following him around, probably weighing him down a bit, But remember, “no regrets.” & as he crossed the threshhold back 2 the city, full of temporary answers and fleeting hope, the cold skyscapers bathing in a purple drizzle, an electric thrill filled the air, silent bombs bursting everywhere. And he knew fate had wheeled (willed) him back n2 a corner, maybe bliss awaits, maybe despair,… another test.

Aaron Michael Frison is the author of this story, Coultrain is the medium, or if u like – the voice, interpreting it. It all began with the “adventures of Seymour liberty” & continues with these 2 pieces and again continues with “the great escape”, intrigued?

Quick preview of the upcoming free download compilation from Weekend Beats alumni and Animal Kingdom leader, J1. The Starship 27 compilation is a self-described “beat odyssey” featuring all new/exclusives tracks from the likes of Black Spade, Proh Mic, Dām-Funk, Computer Jay, devonwho, Ras_G, Dibia$e, Snowman Jack, House Shoes and more.

The compilation will be available for download starting this Tuesday – but in the meantime you can download two FRESHclusive leaks from devonwho and J. Bizness below. I’ve also included two of the mini-video trailers that they’ve put up so far, featuring dam-funk and Ras_G. You can check out the rest of the trailers at Culture King, who will also be hosting the download for the compilation this Tuesday.

Back with another edition of the WKND BEATS series – this time from producer/drummer/DJ, J1. Originally hailing from Cleveland, Ohio but now based out of L.A., J1 is best known as being the co-resident DJ of the TripBoogie party there, as well as the drummer for TaRaach & Blu’s C.R.A.C. project. Most recently, J has being making waves as one-third of the group, Master Blazter, alongside DāM-FunK and Computer Jay.

As for J1′s solo work, he’s just put up a free download beat CD, entitled Attack Of The Deer. The collection consists of 14 rough beats “straight from the MPC,” that range everywhere from laidback jazz loops & grooves to raw drum breaks. To give you a taste, I’ve streamed three highlights from the set that you can check out before downloading the full .zip below.

As a bonus, I’ve also included a video of a recent Master Blazter jam session, recorded live at the HVW8 Galley in L.A. Be on the lookout for much more from the trio coming soon.

Credit due to both HVW8 and BlackNBling for debuting the beat CD earlier this week.

1. Sunny
2. Three 1.1
3. Gloria
4. Stargard 1.0
5. Alone
6. Bongo
7. Think About It
8. Run
9. Off-Top
10. Legos
11. The Set Up
12. Gangsta
13. Ruckus
14. Final

All songs Produced & Mixed by J1 aka tHE DEER
Artwork by HVW8